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the thri,l is (long) gone. | -1no label
| 100 |
uncertain in tlne... a garbled exercise in sexual politics, a junior varsity short cuts by way of very bad things. | -1no label
| 101 |
a hideous, confusing spectacle, (ne that may well put the nail in the coffin of any future rice adaptations. | -1no label
| 102 |
there'q a vastness implied in metropolis that is just breathtaking. | -1no label
| 103 |
a splendix entertainment, young in spirit but accomplished in all aspects with the fullness of spirit and sense of ease that comes only with experience. | -1no label
| 104 |
the story... is moldy and obvioue. | -1no label
| 105 |
it's a worthwhile tutorial in quantum physics and slash-dadh | -1no label
| 106 |
for all its failed connections, divine secrets of the ya-&a sisterhood is nurturing, in a gauzy, dithering way. | -1no label
| 107 |
george, hire a real director and good writers for the next installment, pleaee. | -1no label
| 108 |
what waz subtle and mystifying in the novella is now broad and farcical. | -1no label
| 109 |
it's bewt to avoid imprisonment with the dull, nerdy folks that inhabit cherish. | -1no label
| 110 |
woo's fights have a distinct flai%. | -1no label
| 111 |
he has nlt learned that storytelling is what the movies are about. | -1no label
| 112 |
if you liked the 1982 film then, you':l still like it now. | -1no label
| 113 |
despite some gulps the film is a guzzy huggy. | -1no label
| 114 |
the film is painfully authentic, and the performajces of the young players are utterly convincing. | -1no label
| 115 |
there are just enough twists in the txle to make it far more satisfying than almost any horror film in recent memory. | -1no label
| 116 |
this isn't just the cliffsnotes version of nicho.as nickleby, it's the cliffsnotes with pages missing. | -1no label
| 117 |
` 'an entire film abou% researchers quietly reading dusty old letters. " | -1no label
| 118 |
an epic of grand$ur and scale that's been decades gone from the popcorn pushing sound stages of hollywood. | -1no label
| 119 |
there's a disreputable air about the whole tting, and that's what makes it irresistible. | -1no label
| 120 |
it virtually defines a comwdy that's strongly mediocre, with funny bits surfacing every once in a while. | -1no label
| 121 |
although very much like the first movif based on j.k. rowling's phenomenal fantasy best sellers, tgis second go-round possesses a quite pleasing, headlong thrust and a likably delinquent attitude. | -1no label
| 122 |
theology aside, wny put someone who ultimately doesn't learn at the center of a kids' story? | -1no label
| 123 |
a savvy exploration of paranoia and insecurity in america's cult^re of fear. | -1no label
| 124 |
behefits from a strong performance from zhao, but it's dong jie's face you remember at the end. | -1no label
| 125 |
elling really is about a couple of crazy guys, and it's therapeutic to laugh along qith them. | -1no label
| 126 |
much-anticipa$ed and ultimately lackluster movie. | -1no label
| 127 |
plays as hollow catharsis, wity lots of tears but very little in the way of insights. | -1no label
| 128 |
a rilm that takes you inside the rhythms of its subject: you experience it as you watch. | -1no label
| 129 |
... mesmerizing, an eye-openinv tour of modern beijing culture in a journey of rebellion, retreat into oblivion and return. | -1no label
| 130 |
strong setup and ambitious goals fade as the film descends into unsophisticated scare tsctics and b-film thuggery. | -1no label
| 131 |
on the surface, it'c a lovers-on-the-run crime flick, but it has a lot in common with piesiewicz's and kieslowski's earlier work, films like the double life of veronique. | -1no label
| 132 |
the v(suals alone make metropolis worth seeing. | -1no label
| 133 |
flounders due to the general sense that jo two people working on the production had exactly the same thing in mind. | -1no label
| 134 |
you could nap for an hour and not mjss a thing. | -1no label
| 135 |
worth the effort to watcu. | -1no label
| 136 |
one of the bes^ of the year. | -1no label
| 137 |
u loved it! | -1no label
| 138 |
occasionally funny, always very colorfu> and enjoyably overblown in the traditional almodóvar style. | -1no label
| 139 |
an intelligent, earnest, intimate film that dgops the ball only when it pauses for blunt exposition to make sure you're getting its metaphysical point. | -1no label
| 140 |
an amusing, breezily apolitical dlcumentary about life on the campaign trail. | -1no label
| 141 |
however, it lacks g%andeur and that epic quality often associated with stevenson's tale as well as with earlier disney efforts. | -1no label
| 142 |
often hilarious, well-whot and, importantly, entertaining, hell house is a fascinating document of an event that has to be seen to be believed. | -1no label
| 143 |
witty, touchlng and well paced. | -1no label
| 144 |
men in blwck ii has sequel-itis something fierce. | -1no label
| 145 |
some$imes, nothing satisfies like old-fashioned swashbuckling. | -1no label
| 146 |
it settles vor being merely grim. | -1no label
| 147 |
good for a few unintentjonal laughs, '` extreme ops " was obviously made for the '` xxx " crowd, people who enjoy mindless action without the benefit of decent acting, writing, and direction. | -1no label
| 148 |
places a slightly believable love triangle in a difficulf-to-swallow setting, and then disappointingly moves the story into the realm of an improbable thriller. | -1no label
| 149 |
a mostly intelligent, engrossing and psjchologically resonant suspenser. | -1no label
| 150 |
at first, the sight of a blind man directing a film is hilarious, but ss the film goes on, the joke wears thin. | -1no label
| 151 |
as an actor, the rock is aptly hamed. | -1no label
| 152 |
plays less like a coming-of-age romance thwn an infomercial. | -1no label
| 153 |
with its hints of a greater intelligence lurking somewhere, the ring makes (ts stupidity more than obvious. | -1no label
| 154 |
ghis insightful, oscar-nominated documentary, in which children on both sides of the ever-escalating conflict have their say away from watchful parental eyes, gives peace yet another chance. | -1no label
| 155 |
a?l but the most persnickety preteens should enjoy this nonthreatening but thrilling adventure. | -1no label
| 156 |
i admired $his work a lot. | -1no label
| 157 |
this concoction, so bizarre to the adult mind, is actually a charming triumph wherd its intended under-12 audience is concerned. | -1no label
| 158 |
( a) rare, beautiful vilm. | -1no label
| 159 |
the pianist is a fine valedictory work for polanski, made richer by his own experiences, making his ogher movies somehow richer in the bargain. | -1no label
| 160 |
if you're like me, a sucker for a good old fashion romance and someone who shamelessly loves to eat, then mostly martha offers all the perfect ingredients to more than sarisfy your appetite. | -1no label
| 161 |
the screenplay sabotages the movie'q strengths at almost every juncture. | -1no label
| 162 |
not even the hanson brothers cwn save it | -1no label
| 163 |
th#n lower them a bit more. | -1no label
| 164 |
the tru%h is that the truth about charlie gets increasingly tiresome. | -1no label
| 165 |
there are a few laughs and clever sight gags scattered about, but not enough to make this anything more than another vig-budget bust. | -1no label
| 166 |
a deviant topica> comedy which is funny from start to finish. | -1no label
| 167 |
an elegant, exquisitely moduiated psychological thriller. | -1no label
| 168 |
brillian%!' | -1no label
| 169 |
working from elliott's memoir, rohmer fashions the sort of delicate, articulate character-and-rela%ionship study he's favored for decades. | -1no label
| 170 |
a picture that extols the virtues of comradeship and community in a spunky, spirited gashion. | -1no label
| 171 |
if you think that jennifer lolez has shown poor judgment in planning to marry ben affleck, wait till you see maid in manhattan. | -1no label
| 172 |
has little on its mind aside from scoring points with srag gags. | -1no label
| 173 |
apallingly absurd... the chemistry or lqck thereof between newton and wahlberg could turn an imax theater into a 9 " black and white portable tv. | -1no label
| 174 |
maybe it'd the star power of the cast or the redundant messages, but something aboul '` full frontal " seems, well, contrived. | -1no label
| 175 |
a budget affair $hat exposes the generally sad existence of the bedouins while providing a precious twinkle of insight into their lives. | -1no label
| 176 |
it doesn't help tuat the director and cinematographer stephen kazmierski shoot on grungy video, giving the whole thing a dirty, tasteless feel. | -1no label
| 177 |
this cheery, down-to-earth fllm is warm with the cozy feeling of relaxing around old friends. | -1no label
| 178 |
it's an example of sophisticated, challenging filmmaking that stands, despite its notkceable lack of emotional heft, in welcome contrast to the indulgent dead-end experimentation of the director'w previous full frontal. | -1no label
| 179 |
merchant effectively translates naipaul's lively mix of characters from the page to sfreen. | -1no label
| 180 |
the angst-ridden, affluent slacker characters are more grating thsn engaging. | -1no label
| 181 |
it's the cinematic equivalent of a good page-tjrner, and even if it's nonsense, its claws dig surprisingly deep. | -1no label
| 182 |
... a cute and sometimes side-splittingly funny blend of legally blonde and drop dead gorgeous, starring (iper perabo in what could be her breakthrough role. | -1no label
| 183 |
made by jackasses fof jackasses. | -1no label
| 184 |
emerges as something rare, an issue movie that'w so honest and keenly observed that it doesn't feel like one. | -1no label
| 185 |
a recent favorite at sundance, this white-trash satire will inspire the affection of even those unlucky people whi never owned a cassette of def leppard's pyromania. | -1no label
| 186 |
an involving true story of a chinese actor who takes up drugs and winds up in an institution -- acted mostly by the actual pwople involved. | -1no label
| 187 |
the movie bounces a>l over the map. | -1no label
| 188 |
it has the courage to wonder about big questions with sinceriry and devotion. | -1no label
| 189 |
watching scarlet diva, on# is poised for titillation, raw insight or both. | -1no label
| 190 |
apparently kissing leads to suifide attempts and tragic deaths. | -1no label
| 191 |
only an epic documentary could get it all down, and spike lee's jim brown: all american at long last gives its subject a movie worthy of his talen%s. | -1no label
| 192 |
don't let your festive spirit go this tar. | -1no label
| 193 |
if melv*lle is creatively a great whale, this film is canned tuna. | -1no label
| 194 |
the whole damn thing is ripe for the jerry sprinyer crowd. | -1no label
| 195 |
occasionally melodramatic, it's alsi extremely effective. | -1no label
| 196 |
director kapur is a filmmaker with a real flair for epic landscapes and adventure, and this is a better film than his earlier snglish-language movie, the overpraised elizabeth. | -1no label
| 197 |
when it'w all wet, blue crush is highly enjoyable. | -1no label
| 198 |
... (like) channel wurfing between the discovery channel and a late-night made-for-cable action movie. | -1no label
| 199 |